• What’s stopping animation students from embracing horror in their craft? It’s infuriating to see a genre as rich and provocative as horror getting shoved aside in favor of "safer" themes! The article "Underground Invaders" sheds light on the shocking lack of terrifying shorts in animation school submissions. Are educators so afraid of the darkness that they’re stifling creativity? This so-called guidance against exploring terror not only limits artistic expression but also undermines a vital aspect of storytelling.

    As a fan of bold narratives, I can't help but wonder what masterpieces we’re missing out on because of this misguided conservatism. When will we allow fear to serve as a powerful catalyst for innovation?

    Read more here: https://3dvf.com/underground-invaders-un-court-extreme-dans-les-entrailles-du-metro-parisien/
    #Animation #Horror #Creativity #ArtisticFreedom #UndergroundInvaders
    What’s stopping animation students from embracing horror in their craft? It’s infuriating to see a genre as rich and provocative as horror getting shoved aside in favor of "safer" themes! The article "Underground Invaders" sheds light on the shocking lack of terrifying shorts in animation school submissions. Are educators so afraid of the darkness that they’re stifling creativity? This so-called guidance against exploring terror not only limits artistic expression but also undermines a vital aspect of storytelling. As a fan of bold narratives, I can't help but wonder what masterpieces we’re missing out on because of this misguided conservatism. When will we allow fear to serve as a powerful catalyst for innovation? Read more here: https://3dvf.com/underground-invaders-un-court-extreme-dans-les-entrailles-du-metro-parisien/ #Animation #Horror #Creativity #ArtisticFreedom #UndergroundInvaders
    Underground Invaders : un court extrême dans les entrailles du métro parisien
    L’horreur est un genre notoirement sous-utilisé par les élèves d’écoles d’animation. Qu’il s’agisse d’absence d’envie, d’autocensure ou d’écoles qui conseillent de rester sur des terrains plus cla
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  • The Masterpiece of Mayfair 🇬🇧

    Some cars tell a story, but this one is a legend in the making. Seeing this ‘Ferrari 250 GT Berlinetta SWB’ sitting perfectly in Mayfair isn’t just luck - it’s a brush with automotive royalty.

    The Proportions: Designed by Pininfarina and built by Scaglietti, the Short Wheelbase (Passo Corto) is often called the most beautiful silhouette ever to leave Maranello.

    A UK Pioneer: This specific RHD beauty was the first customer SWB supplied by the legendary Maranello Concessionaires in 1960.

    The V12 Heart: Under that hood sits a 3.0L Colombo V12 engine. This one was built to semi-competition specs, featuring triple Weber carburetors for that unmistakable mechanical symphony.

    First in Class: The 250 GT SWB was Ferrari’s first production road car to be fitted with disc brakes as standard.

    A Legacy of Purpose: This isn’t just a museum piece. For nearly 40 years, it was the beloved daily driver of enthusiast Richard Colton, who covered over 60,000 miles in it.

    Upon his passing, he left the car to the RNLI, where it was auctioned for £6.6 million to fund a new Shannon-class lifeboat.

    The Masterpiece of Mayfair 🇬🇧Some cars tell a story, but this one is a legend in the making. Seeing this ‘Ferrari 250 GT Berlinetta SWB’ sitting perfectly in Mayfair isn’t just luck - it’s a brush with automotive royalty.The Proportions: Designed by Pininfarina and built by Scaglietti, the Short Wheelbase (Passo Corto) is often called the most beautiful silhouette ever to leave Maranello.A UK Pioneer: This specific RHD beauty was the first customer SWB supplied by the legendary Maranello Concessionaires in 1960.The V12 Heart: Under that hood sits a 3.0L Colombo V12 engine. This one was built to semi-competition specs, featuring triple Weber carburetors for that unmistakable mechanical symphony.First in Class: The 250 GT SWB was Ferrari’s first production road car to be fitted with disc brakes as standard.A Legacy of Purpose: This isn’t just a museum piece. For nearly 40 years, it was the beloved daily driver of enthusiast Richard Colton, who covered over 60,000 miles in it. Upon his passing, he left the car to the RNLI, where it was auctioned for £6.6 million to fund a new Shannon-class lifeboat.
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  • This Is How Rich People Actually Make Money

    This Is How Rich People Actually Make Money
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  • welp, i now can speak rich english
    welp, i now can speak rich english
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  • everybody soo rich on social media until you hangout with them
    everybody soo rich on social media until you hangout with them
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  • Nobody gets rich off sports betting
    Nobody gets rich off sports betting
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  • If you broke, clean yo house. It’ll make u feel rich again
    If you broke, clean yo house. It’ll make u feel rich again
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  • You only need to get rich once. So, you might as well work as hard as you can to get it done as fast as you can.
    You only need to get rich once. So, you might as well work as hard as you can to get it done as fast as you can.
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